glistening, warm, funkyfied, driving sci fi startrek electro disco breakdown in a whole new format. an entirely new evolution of silicon scally’s progressive hybrid electro concepts. supersized sound and masterfully clean productions on all frequencys. bass for the face and drive for the floor

>1911< on side-a comes with a fat hard beat is running and flowing synth-work is building up and up, effected disco flavor sub-bass twils as if heiko laux and james holden would be collaborated together, even minilogue sounds, massive tech-house. >pixy zap< on side-b,is more cool sense of attitude with really deep acid-bass and synth-pad is on, with element of dubby and sexy minimaltech house. second track >als< on side-b, sounds as with cut up style and feels as delicate sensibilities, mad underground flavor

next 12inch from the french cocoon artist ! >boul de nerf< is a peak time dancefloor track, with an atmospherique beginning, a big length with talking between bass and freaky lfo synthé. after 6 minutes the strange co2 break came before a second time for the dance floor...>boul de neige< deep acid track, for the aerial moment, straight line with a house rhythm section.... >boul de gum< minimal with something as chicago, big strange ballade for drunken lover s couple...

dj support : jennifer cardini, shinedoe, tobi neumann!! 8bit rojo on side a is a hard dirty groover. starting off as a straight up jacker that over a three minute progression turns into a heavy peak time cut. with a low rez processing throughout the percussion and overdriven subs the name of the game of this track is dirtyness. bouncing underneath the dirt is a slick gliding bass line that slides down from 100hz to 40hz. sure to work the dancefloor from peak time to down time. the b side red tide is a deep headstrong slow builder that elevates like an induced acid frenzy. massive funky techno

a special einmaleins release which contains mixes from pan pot & touane. pan pot keep it deep. dirty and twisted with playful hi hats and dark drive, wisltes and bass complete the soundscape on the a side. touane gives a more funky and powerful interpretation of the track with clicks and groove from min 0 of the track. with synth changing the picture and giving a totally different and unique style to the track!! played by butane, dario zenker,laurent garnier, karotte, franklin de costa !!

delayed the follow up to the polycubist & dubloner selector. ruotsi s enraptured by natural progressions, reverberant bass accents & interwreathed textural deployments. triton mines the basic channel legacy

for this latest prime time action piece two of the fastest rising techno jocks team up and slam down a huge techno package. both wehbba and stephane has gathered an ever growing group of fans due to their steady, dancefloor minded techno sound. this stuff whoop ass at just about any occasion. super thumping, energetic techno grooves with infectious electro-bass. one for the fans of primate, ying yang, concept, killa beat producion and intec to name a few.

nice price deal !!! the usual strong atm bass kicks and big guitars, flavoured with rock styled lyrics

after his first solo ep on kling klong arnaud rebotini continue to expore out of the black strobe area on goodlife !! here s his tribute to the techno detroit godfathers .the wood is dedicated to early jeff mills and robert hood tracks with some weird >doepfler< hypnotic bass line and on top a tweeky sequence for a maximum impact on the dancefloor! on the other side leviathan it s more influenced by america minimalist as steve reich or terry riley and will give to the clubs a groovy melancholic vibe

alex bau has succeeded in creating a truly awesome brand with the credo imprint. the first 3 relases have all been extremely highly acclaimed and have been working extremely well on the techno floors across the world. this release again is truly cutting edge with the a side being a distorted bass heavy techno monster with its heavy rumbling bass and very cool 3/4 drum rhythm. on the flip we are treated to another blistering cut as this time the influence is old school elctro with its rolling break groove and heavyweight bass and synth sounds.

booty tracks from one of the masters of the ghetto genre

a stunning 3 track ep. >enter the night< provides a very funky vibe. with minimal feel, typified in cuts (yeah, shake a leg!), this records kicks off with a house rhythm before a bristling bass really starts driving the piece along. a smoke filled voice soon comes in, throwing the listener off talking about nights and exits or no exits while the track >no exits< on b2 is a fine and dark mixture of crisp beats and glitchy percussion to create a forceful groove as spluttery synth stabs keep up the incessant pressure. cuts of mazi s vocal twist things just that bit more evil as the house edged mood continues its push further into new depths of mayhem. the driving melody in >sarabbath< on b1 is quite a head-turner and should create a stir in the clubs, using the more minimal and melody side of this great 12inch

tony rohr needs no introduction. his releases on clink, cocoon, dipolter,hidden agenda, and weave speak for themselves. >db revenge< is seductive minimal adventure. rohr begins with his dynamic drum work with flips and edits. tight flanged bass highlights. the hook moves its way up in the mix. all together now jack. this one will be stuck between your ears for months. our remix is courtesy of camea (clink recordings/klickhaus). washing the mix in digital reverb camea continues to tease with original elements worked with her signature dry drum hits. advancing beyond the track grabs for your feet and never touches back down. also included is a bonus track of just the db synth. have fun everyday

wink is back at it again with the long awaited follow up to >516 acid<. this is the first time these tracks will be released on vinyl. >swirl< was featured on josh wink s acclaimed mix compilation profound sounds volume 3, but this is the first time a full version of the track will be released. in wink s signature style of creating tension, he full delivers on swirl. the track slowly builds and takes off when wink adds in his signature 303 bass line. like one of wink s dj sets it goes through many peaks and valleys, but it is the tension that is created that will drive the floor nuts. the b side is >have to get back<, which had been released on minus records min to mac comp, but only in an instrumental form. this is the very rare vocal version of that track. again wink provides the tension in this dark affair. the addition of the eerie vocal will remind people why he is the master of the bugged out production

after 3 releases on od records and one more recently on initial+, heko is back in force with a four tracker transcending into the depths of electro-fried synths with solid grooves and italo bassliners. a1, primavera: an electro house tune with a touch of metro area will really take control of the audience. a2, voyager: more catchy, this tune is a pure dancefloor killer with its powerfull bassline & dark synths. b1, energy 3000: a definitly disco beat and vibe for moroder fans, electro toms scattered all over the mix with furious high pop-synth. b2, mrs butterfly: dedicated for cosmic old-timers, this butterfly brings you into a magic trip through its funky bass, afro beats & full of love rodhes. definitly the release of maturity, this fatal dance music weapon finds its place in all dj s bag

dbi breaks brings back the funk with this 2 tracker from none other than dj viro with a ton of releases out this guy is no new name to the business hard drivin breaks and bass what more could you ask for

a1 time (original mix) produced by !nfrajazz guitar & bass : freddy fernandez, trumpet : yohan speissegger a2 time (basek s east side remix) b1 el farouki remix b2 tom pooks remix. top notched production here with detroit/soul & berlin electro influences together with the infrajazz personal sounding. making of this a nice package & another classy release for the chocoflash label.

from dallas eric estornel has arrived, who is not other that maetrik or mariel-ito. take hold yourself that they come curved the constant mutations and growth in its sound since it dazzled us to all with >casi profundo< album or with singles as >agravatte me< has taken to him to a maximum point of maturity in its arrival in regular. sexus is track amazing, technoide, intense, without fissures, forceful and direct. acces ebm takes a darker way if it fits, with a big bass which walks and it makes you walk to his side, you are not scared, does not bite! nexus could perfectly be single of the disc.

following succesful releases on robsoul and black crack, canada s loopity goofs bring the heat to the greenhouse on this solid three track ep. already seeing solid support from dj mark farina and the likes the diversity on this ep will keep it in the box for months to come. >gotta move it< is a straight up bleepy jacker with some nice vocal elements thrown on top. >shake it up< is the funky head nodder with it s rhodes vibe and sub bass. and rounding it off is >this time< with it s dark funk, live sax and shuffling beats

theodor zox is no exception and after a couple 12inch on morris-audio, releases and remixes on his home labels tic tac toe and 3rd floor he is now on the ramp to be >the man with the groove<! minimal yes… but funky even more!!! rolling bass lines, driving chords and a great sense for arrangements, he is spoiling us with 3 amazing tracks! run away and system of play are 2 typical zox s cut! sharp hh and fat snare sounds with some weird abstract synth lines and vocal samples, that just gives to the whole thing coherence and personality! 2 solid dj tool to use with no moderation! question suggestion on the b-side is for us a masterpiece! all theodor s musicality and also his ability to make people dance are in this track. it s deep and it has such of a strong character that it can be dropped at any moment and it will get you anyhow and… every-time! a great bass/synth hook line with some oriental melodies… no clichés, just good shite!

montreal-based duo luci strikes with a great new single on titbit music, dwarfzilla starts the ep with a luscious kick loop followed by quirky and trippy synthscapes, next is fantex that continues their sophisticated sound architecture built on 4-4 rhythms with scuttling percussive bleeps and subliminal vocal samples. on the flipside load >*<, 8.1 slashes ipnotic bass lines mixed with sinister synth line and spacey feelings, followed up by a brilliant remix from our supervillain quiroga... support from mike shannon, karotte ...

concrete dj s are a new force that we have added to the hardsignal imprint. there are team of 4 people who are making some of the most incredible hard techno. their track tengu that we have here has a nice firm kick with a great sub bass. we welcome patrick dsp and dj pauze back to hardsignal. coming back from great repercussions from their huge release on fine audio 45, patrick and pauze have created a nice techno stomper for us with a little bit of a different twist. great kick and bassline with a sample that is super catchy. we are proud to announce the return of primal to our label. he has taken a bit of a break off while in the studio recording some of his newest material

after featuring on the work of the cream of dancefloor jazz, broken beats and house music for 4 years or more, lyricl has two singles out, two lyricl singles. well it was about time. he wants to know is a mid tempo broken jazz produced by rms. it whacks the floor with sub bass and jacking brokenbeats, and ls rhymes are as tight as she sits on the riddim nice. a chorus reminiscent of a bb boogie ting completes a hard hitting heavyweight of a tune. knowing lyric ls straight up house music prowess (a la doot dude) phil asher turns in a restless soul mix that transforms ooh u & i into a tough but classy beat & bass driven jackin house workout. a dub completes a top package, a package which shows that loose lips are just one of lyricls many assets

jake childs requires very little introduction to the more discerning house ear. with releases on leading labels including drop music, freerange and doubledown, not to mention his own uni.form imprints, he has taken the house world by storm over the past few years. here he serves up some retro chicago sounding yet stripped back jackers. seems really simple at first, a real trademark of jake s sound, but its bumpin bassline, bleeps and squelches grow around you becoming more intense with every listen. the flip delivers >good times< which incorporates his brand of choppy jackin beats, punchy snares, gritty synths and rolling bass that rips apart any dancefloor. the track flips mid-way and bubbles under as the bass lines compete for attention before recombining for another roof raising moment. the >beat machine< is an eerie voyage into the middle ground between house and pop. once again moody synths and a growling sub bass lead the way, with the haunting vocals of lil prince (who has previously featured on jake s icon and drop music eps) gliding over the mix! hot floor burning shit

its the first vinyl release of the hungarian electronic duo (sab & lazybones) at chameleon records label. the disc contains four excellent versions of the track called try. the original version is the bands own pulsating, dynamic, triphop like composition with sabs vocals tramping along the membranes like a road roller. apart from two great dreadzone and paul murphy remixes, the vinyl also contains a high bpm club version radiating a jazzy breakbeat atmosphere. the dreadzone version is an even more rapid and measured piece and its afrobreak rhytms and heavy bass parts will surely not leave the dance floor empty. the last track of side b features the legendary afroart dj, paul murphy who they have already collaborated with on a piece called budapest cha cha cha (afroart records) no doubt secta chameleons try will prove a real treat in europes electronic music scene

volume 8 again comes with two mind-blowing, stripped down techno productions. these babies will take your for a long and pleasant ride. along the way you are fed with vibration bass, velvet bassdrum and carefully selected high

this is for sure one of the most requested electro track soon available. track title says it all. it s sick and will make you feel sick. dirty and twisted bass synth and a banging beat. just listen to soundlinks and you will know why this track is charted and playlisted by david guetta, joachim garraud, robbie rivera, enzo mori & stephan clarke, antoine clamaran, richard grey, bob sinclar, b. benassi and many many more

this dope 4 tracker starts off with homero espinosa (yerba buena) delivering the goods on >le one<. tight drums, a deep pulsating bassline and superb keys are the order of the day here. wicked! next up we have the 1200 warriors dropping a remix of >le one< that gives us a different take on the origianl with it s boompty funk and spoken vocal samples. on the flip we have those two badasses from indianapolis john larner & slater hogan coming correct with a nice deep funker that is sure to get the booties shakin on the dancefloor. last but not least we have dani deahl s >too hot to handle<, which is exactly what the title says, hot with its massive sub bass. 4 heaters on this one

played by dinky, karotte, trevor jackson!! these new tracks venture to the deeper, often evocative ends of techno and house. the title track fuses an percussive old school house groove with deep techno chords. so when the organ line kicks in, it gives you this very orginal emotion of timeless house. in keeping with einzelkind s unpredictable tendencies – he used to make drum n bass before he switched onto house and techno – you still can hear something of his former musical alter ego in the second track, >bonnieland<.based on a low-slung, growling bassline, the track gradually evolves to reveal a trippy sequence and lush chords, which sounds like the fusion of a detroity atmossphere with the dynamic of a drum n bass-track. a strong release, that consolidates the unique fingerprint of the two einzelkind-boys from frankfurt

anthemic midseventies disco track with frivolous moans and whispers over a full orchestrated funky instrumental. prins thomas re arranges the strings, forwards the bass and gives the track and spaced out overhaul. a more stomping edit by hardcore stricker can be found on the flip

played by james mowbray, jeff samuel, john tejada!! news from the anti claves-biter fraction: sub static-label boss falko brocksieper follows suit and warms up for the next album-quantum-leap, however, as a finger exercise first, there is this small, fine ep with three elegantly knitted smashers for the dj from world. as usual this man simply shakes the funk out of the sleeves, so he can afford to pass big music already for the aperitif, which is always best for the meal, right? >esque< builds up the break culture quite high, without falling however, as the pleasantly massaging bass foundation stands firmly against wind and tide. this is the club counterpart to the lightning rod, bundling the crowd s attention perfectly and focusing it to one point, between a glass of vodka (located at the dj-booth) and the horizon (in the head, man, in the head!)

incl. guy gerber & david k rmx, following the huge >beautiful noise< on rekids, spencer makes his tsuba debut with the gritty rain of bleeps that is >neon<. as with every tsuba release, on the flip there s an exciting remix on offer. this time guy gerber & david k combine to deliver a deep spacey interpretation with a jacking bass heavy groove. guy describes this as >my favourite ever remix<. with over 10.000 plays so far on myspace >neon< is a big release for tsuba, as these djs all agree: laurent garnier, funk d void, john digweed, tiefschwarz, james zabiela

nice price deal !!! juju & jordash combine live instrumentation with programmed rhythms to create two pieces of the deepest, darkest, haunted house music. >blue plates< is a driving angry-sounding track featuring loose handclaps, treated vocals, detroit synth pads and thunderclap percussion. n.p.i. is a warm, jazz-influenced track with a loose, dubby arrangement built around rhodes piano chords and ilya ziblat shai s double bass. juju & jordash met nearly a decade ago through a weekly jazz session in haifa, israel and are currently based in amsterdam

the bass heavy everybody jumpin, that will have your teeth shaking in there sockets includes dany t remix

side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. b1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot. b2 closes the ep with a big laid back bass and chubby drums provide the foundation for smoky pads, nostalgic keys and a hook you ll be whistling for days

this dry, cold-processed stomper from jack rock shoots like a rocket out of nowhere. with a bass drum that reminds of stakes installed in the swampland and a mysterious melody, he once again presents himself as the connoisseur of delicate club dramaturgy and jack really knows how to conquer the hearts of both, the dj and the crowd.his stumbling funk finds its equivalence in dandy jack s staccato rush whose congenial remix shows a higher concentration, but is still full of catchiness and deepness driven by a real conviction. this must-have ep offers a really wonderful ground contact and represents the continuation of a unique label policy: young, but characterised by deep wisdom, knowledge that can only be found in the dark labyrinths of the club where we love to get lost over and over again...played by john acquaviva, dinky, toni rios

audiomatique welcomes uros umek! his reputation as slovenias hottest dj & producer didn t remain unnoticed, as he is receiving glowing praise from djs all over the world. amongst a growing following of international admirers, his excellent and beautiful rocking tracks can be heard on nearly every dancefloor.>akul< kicks off with a percussive rhythm before a dark synth and a charismatic chord are driving the piece along. > complikator< is a relentless and dramatic backing of severe synths, rising pads and swirling noise. the bass is similarly intense, throbbing away before developing for a melodic break. it s quite a head-turner and will create a buzz in the clubs. welcome to audiomatique, umek

for fans of loco dice, mathew jonson, m_nus, ame, matthew dear, dimbiman, dan bell !!features 3 new unreleased songs from billy dalessandro (force-inc, force tracks, resopal, kompakt) brian ffar (gourmet, tic tac toe) & slutbox…. hot stuff! billy dalessandro known for his bumpy dancefloor productions and driving dj sets, he returns on his newly formed site holder label to lead us through a symphonic slice of minimized and maximized techno. an untouchable hit for the few djs that possess it, all three songs on the ep are tracks that deliver. with intoxicating slow-build introductions which all seem to rise to the perfect point, breaking over with deep sine shaped basslines and beats that kicks the night into the afternoon. the slutbox tune pops and pulses along a more minimal excursion with deep tones, deep bass and melodic key stabs which seem to lock together as the rhythm evolves, propelling a sketch of minimal movement to another, out-there dimension. yes, do believe the hype and look out for site holder

j. wink classic back in stock.. fat bass heavy techno monster in two mixes

slamming chicago tech trax collaborations between q ic & danny c, ronald v and coone not to be missed

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

electro house track with powerful electro bass, fat beat, an effectice vocal guinmick ,long emotional break and sensual spanish voices in duet with a ragga on the a side. all this ingredients in a pure french touch style, a very hot track recommended for the dancefloor b side feat a remix signed michael kaiser, queen and fg resident (paris), an electro tribal dub mix especially studied for the dancefloor!

latin flavored funky house bomb with a great piano and trumpet riff and a massive kick ass slapped bass flip over for a soulful disco flavoured funky affair

track 6 and 7 in alex baus credo series.. the 2 tracks have a perfect blanace with the a side being a barnstorming piece that builds around a simple nagging synth line and driving groove. on the flip there is a blissed out minimal masterpiece with dubbed out maurizio like chords and deep bass.

ein rockiger, pumpender e-bass, platte des monats in der raveline !!! sphärische klänge und eine sanfte stimme, die einem eine erotische hook in den kopf haucht. der bass wurde eigens live von sebastian flach, seines zeichens gern gesehener gast in den xavier naidoo/herberger-studios, eingespielt. incl remix von groove rebel rmx (great stuff artists)

dark phreakin techno & electro to drm n bass clubber

here we probably have the flagship of modern day techno music. the planet rhythm label was founded by glenn wilson and has been one of the leading icons in harder, underground club techno. stigmata member andre walter teams up with chris hope for a juicy collab. resulting in their trademark pounding beats and destructive bass-heavy productions..

the music of jerk belongs to dirty mornings in sark techno clubs. complex and raw rhythm layers build up into huge mad max scenarios, dusky & coll bass-lines, simple and effective drums and irritating efx form a fucked up and dry sexiness..

for the 3rd release on his own herzblut label stephan teamed up with mr. systematic marc romboy and what they deliver is simply outstanding! puck is a masterpiece based on a simple and incredibly modulated bass tone on top of basic drumming. the dark atmosphere and the consequence in this track reminds of plastic mans best productions, this will make you shiver! io is another of those epic classics. techno blues. a beautiful bass synth melody is the core of a journey thru old tekkno ground and new production styles.. supported by garnier, tiga, roman fluegel and charted by hell